Cadence started releasing singles in early 1953, with Julius LaRosa's "Anywhere I Wander." Archie
Bleyer, the owner of the record label, used LaRosa's birth date (January 2, 1930) as the record number
(1230) for his first issue. For almost the first year, all the Cadence singles were by LaRosa, and Bleyer
even used the same series to put out a couple of Julius LaRosa's EPs. When it finally came time to
release a non-Julius LaRosa single in October, 1953, Bleyer started a new series with 1420, and issued
"Foolish Waltz"/"Inca Dance" by harmonica virtuoso John Sebastian, whose son would found the Lovin'
Spoonful a dozen years later.
The 1320 series became the main series for singles, and the 1420 series was only used sporadically for
three singles over the next three years. In fact, by the time the 1320 series had reached 1420, the earlier
issues were forgotten or ignored, and new singles with those numbers were issued.
Bleyer later started a separate series for EP issues, the CEP-100 series, which lasted from 1957
to 1961. The extended play 45 rpm (EP) was popular only from about 1955 to about 1961, and in some
ways was a passing fad, replaced by Jukebox 33 "little LPs" in the early 1960s. Cadence issued at least
three of these jukebox 33s, but apparently passed up another of the late '50s-early '60s fads, the 45 rpm
stereo single. They did issue a few stereo 33 singles, however.
As far as stereo recordings were concerned, there was no single date that Cadence switched to stereo
recordings, primarily because Bleyer recorded in a variety of studios in several cities, each with its own
equipment capabilities. We have tried to indicate with an asterisk (*) those single sides that have been
issued elsewhere -- mostly on LPs -- in true stereo. For a listing of where these songs have appeared in
stereo, please see the Cadence Album Discography.
The first Cadence singles label was a red-orange with black print, with "Cadence..." at the top. This label
started with the first single, 1230, but by 1232, Bleyer had designed a new maroon label (see below).
Not one to waste money, the label blank for the first label was used occasionally even after the
maroon label was designed, and is known to have been used at least as late as the early pressings of
"Hernando's Hideaway" on Cadence 1241. Early promotional versions of this first label (at right, above)
were on white labels with black print.
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By the third single, 1232, Bleyer switched to a new label design. The early 78s were red with silver print,
but the 45s were a maroon with silver print, both with "Cadence" on the bottom around the
edge of the label.
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After 1232, the Cadence labels no longer had the drawing of Julius LaRosa at the top, even for LaRosa's
singles. Instead, the artists' name was in large letters at the top of the label, and "Cadence" in very small
letters at the bottom. This design, maroon with silver print, was used for both 78s and 45s, and
promotional copies were issued with black print on a white label stock. This label continued to be used
until some time between 1241 and 1247, when Cadence switched to the well-known "metronome label"
described below.
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The third label was the "metronome label," featuring a silver top of the label with a
metronome with the word "cadence" in maroon print. The bottom of the label was maroon with silver
print. From the start in 1953, Cadence issued both 78 rpm and 45 rpm singles. They issued 78s at least
until early 1959, as the Everly Brothers' "Take A Message To Mary"/"Poor Jenny" (Cadence 1364) is
known to exist on 78.
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Cadence used a variety of labels for disc jockey release. There was a black-and-white version of the
metronome label, but that was only used some of the time. Even more plentiful are "Advance Disc-
Jockey Pressings" of various sorts, even some using typed labels such as shown at left. Surprisingly, the
disc with the typed label is not an acetate, as is usually the case with typed labels, but an actual vinyl
pressing of the record.
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Two other variations are shown at left. There were several others. Actually, there are so many variations
of the "advance pressing" labels that Cadence may have had them designed and printed up individually,
using a plain white label blank.
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Different pressing plants also resulted in slightly different fonts and label copy positioning for labels. Both
the copies at left are originals. Note the different placing of the record number, for instance.
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Cadence was not known for colored vinyl pressings (except for the Andy Williams LP noted on the
Cadence Albums Discography page). At left, the first 45 is a regular issue, while the blue vinyl 45 at right
is a counterfeit. A close examination of the blue vinyl 45 shows a fuzzy label with too much red color,
poor silver coloring, the logo cut off by the center hole (something we have not seen to this extent with
legitimate issues), and shoddy vinyl with bumps and pits. If anything, Archie's issues were on quality
vinyl. Even the (legitimate) red vinyl Andy Williams album To You Sweetheart Aloha was pressed
on top quality vinyl.
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Cadence issued a two-EP set called 8 Top Hits in 1955 using a blue and silver label. The label
included the notation that this was the "Blue Label Series." There was also a 12" LP and a 10" LP with
the blue label, but none of the regular 45s are known to us to have used the blue label. In mid-1961,
somewhere between issues 1402 (maroon label) and 1404 (red label), the regular Cadence label
switched from the maroon
metronome label to a red label with black print and a black band around the edge with "CADENCE
RECORDS" written three times.
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Cadence also issued several stereo 33s in a promotional package for the stereo juke boxes in 1961.
The package at left was a kraft-colored bag with five stereo-33 singles, a card showing the cover of the
new LP Never on Sunday, and a sheet of juke box strips. This package was issued in 1961 just
before the changeover to the red label.
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Cadence also issued several "Little LP" 33s, each with six or seven tracks, again for juke box use, but
these were mono. Like the juke box package shown above, the first "Little LP" 33s were also issued in
1961, but after the regular labels had changed from the metronome label to the red label. The first six
Little LPs used a gold color variation of the red Cadence label. By late 1962, the label used on the Little
LP issue of The First Family was the regular Cadence red label.
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Cadence had a special paper sleeve for their 45s, as did many other labels. They also issued picture
sleeves from time to time, such as the black-and-white sleeve used with Cadence 1337.
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Chordettes black-and-white picture sleeve featured group member Janet Ertel's daughter Jackie and
Jeff Kron. This is from Cadence 1366.
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Cadence started using color sleeves at about 1349. Shown are the sleeves for 1349 and 1374.
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Cadence was not above issuing the same photo on both sides of two different picture sleeves. Here are
the sleeves for 1369 and 1376.
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Johnny Tillotson picture sleeves for 1377 and 1391.
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Small hole on Cadence CEP-1003 may indicate a non-US series. Late in the life of the label, Cadence
began a reissue 45 series, using a gold counterpart to the red label, and using the 1600 catalog series.
There were twelve singles issued in the Cadence Gold series, all released in November, 1961.
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Cover |
Number - Title - Artist - [Release Date] (Chart) Contents |
1233 - Julius LaRosa - Julius LaRosa [1953] My Funny Valentine/I Believe/No Other
Love/Roseanne
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1234 - Julius LaRosa Sings - Julius La Rosa [1953] Ave Maria/Adeste Fideles/Silent
Night/O Holy Night
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EP-4058/EP-4059 - 8 Top Hits - Various Artists [1955] Two-EP set, issued on the Blue
Label Series. Mr. Sandman - Chordettes/Hearts of Stone - Chordettes/Sincerely - Chordettes/The
Naughty Lady Of Shady Lane - Archie Bleyer/Melody Of Love - Archie Bleyer/Dim Dim The Lights - 4
Top Hatters/Let Me Go Lover - Mary Del/Make Yourself Comfortable - Maddy Russell
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CEP-1000 EP Series (Possibly non-US): | |
CEP-1001X
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CEP-1002X
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CEP-1003X - Popular Favorites on the Player Piano - J. Lawrence Cook [1955] Melody
Of Love/Crazy Otto Medley/Sincerely/Tweedlee Dee/Hearts Of Stone/Open Up Your Heart//The Ballad
Of Davy Crockett/How Important Can It Be
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CEP-500 EP Series: | |
CEP-501 - Tonal Expressions - Don Shirley [1955] (2-EP set with fold-open cover)
Medley From "New Faces"/Secret Love/Answer Me My Love/I Cover The Waterfront/My Funny
Valentine/No Two People/Dancing On The Ceiling
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CEP-502 - Tonal Expressions, Volume 2 - Don Shirley [1955] (2-EP set with fold-open
cover) The Man I Love/They Can't Take That Away From Me/Love Is Here To Stay
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CEP-503 - Piano Perspectives, Volume 1 - Don Shirley [1955] (2-EP set with fold-open
cover) Love For Sale/Blue Moon/I Can't Get Started With You/Someone To Watch Over Me
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CEP-504 - Piano Perspectives, Volume 2 - Don Shirley [1955]
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CEP-505 - Songs from Can-Can - Genevieve [1958] Never Give Anything Away/C'Est
Magnifique/Live And Let Live//Allez-Vous En/I Love Paris/Can-Can
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CEP-100 EP Series: | |
CEP-101 - The Chordettes - Chordettes [1958] Mr. Sandman/Humming Bird//Born To Be
With You/Soft Sands
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CEP-102 - The Chordettes - Chordettes [1958] Just Between You And Me/Eddie My
Love//Lay Down Your Arms/Teenage Goodnight
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CEP-103 - Andy Williams - Andy Williams [1958] Canadian Sunset/Baby Doll//Butterfly/I
Like Your Kind Of Love
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CEP-104 - The Everly Brothers - Everly Brothers [1958] (1-58, #3) Wake Up Little
Susie/Maybe Tomorrow//Bye Bye Love/I Wonder If I Care As Much
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CEP-105 - The Everly Brothers - Everly Brothers [1958] This Little Girl Of Mine/Leave
My Woman Alone//Should We Tell Him/Be-Bop-A-Lula
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CEP-106 - Songs from "South Pacific" - Andy Williams [1958] Younger Than
Springtime/This Nearly Was Mine//Some Enchanted Evening/Bali H'ai
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CEP-107 - The Everly Brothers - Everly Brothers [1958] (11-58, #4) Brand New
Heartache/Keep A Knockin'//Rip It Up/Hey Doll Baby
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K80H-1720 - Songs Our Daddy Taught Us - Everly Brothers [1958] Primarily a
promotional EP ("Cadence Disk Jockey Pressing") with a different content from any of the three
commercial issues listed below. White label with typed letters, no cover. There is also a report of a copy
of this with the regular commercial Cadence label. I'm Here To Get My Baby Out Of Jail/Down In The
Willow Garden//Roving Gambler/Lightning Express
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CEP-108 - Songs Our Daddy Taught Us, Volume 1 - Everly Brothers [1958] Roving
Gambler/Oh So Many Years//Put My Little Shoes Away/That Silver Haired Daddy Of Mine
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CEP-109 - Songs Our Daddy Taught Us, Volume 2 - Everly Brothers [1958] (6-59, #8)
Barbara Allen/Long Time Gone//Lightning Express/Who's Gonna Shoe Your Pretty Little Feet
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CEP-110 - Songs Our Daddy Taught Us, Volume 3 - Everly Brothers [1958] (6-59, #4)
Down In The Willow Garden/Kentucky//I'm Here To Get My Baby Out Of Jail/Rockin' Alone In An Old
Rocking Chair
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CEP-111 - The Everly Brothers - Everly Brothers [1959] (4-59, #8) Bird Dog/Devoted To
You//All I Have To Do Is Dream/Claudette
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CEP-112 - Andy Williams [1959] The Hawaiian Wedding Song/Sail
Along Silvery Moon//Blue Hawaii/Sweet Leilani
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CEP-113 - Nicola Paone [1959]
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CEP-114 - Johnny Tillotson - Johnny Tillotson [1959] True True Happiness/Love Is
Blind//Dreamy Eyes/Well I'm Your Man
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CEP-115/CEP-25115 (stereo) - The Chordettes - Chordettes [1959] Taul Paul/Pink
Shoe Laces//Charlie Brown/I Cried A Tear
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CEP-116 - Two Time Winners, Volume One - Andy Williams [1959] Twilight Time/Love
Letters In The Sand//It's All In The Game/My Happiness
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CEP-117 - Two Time Winners, Volume Two - Andy Williams [1959] Near You/Blueberry
Hill/So Rare/Be Mine Tonight
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CEP-118 - The Everly Brothers - Everly Brothers [1959] *Take A Message To
Mary/*Poor Jenny//Problems/Love Of My Life
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CEP-119 - To You Sweetheart Aloha - Andy Williams [1959]
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CEP-120 -Song of the Islands (To You Sweetheart Aloha, Vol 2) - Andy Williams [1959]
Song Of The Islands/others
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CEP-121 - The Very Best of the Everly Brothers - Everly Brothers [1960] Let It Be
Me/Since You Broke My Heart//('Til) I Kissed You/Oh, What A Feeling
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CSP-1 - Artist of the Week Record Package - ? [1961]
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CSP-2 - Artist of the Week Record Package - Chordettes [1961] Kraft paper bag with
five stereo 33 juke box singles, juke box strips, and a juke box card showing the Never on
Sunday album from which the singles came. Singles (see above for details) include 2606, 2607,
2608, 2610, and 2511. Single 2609 was not included in CSP-2 package, although the name strip was
included in some packages even though the record wasn't. On others, it was torn out of the middle of the
row of strips. It is possible that 2509 was originally designed to be in the package, but was replaced by
2511, which had a different set of name strips.
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CLLP-33-1 - This Is Johnny Tillotson - Johnny Tillotson [1961] Poetry In Motion/Jimmy's
Girl/True True Happiness//Earth Angel/Why Do I Love You So/Pledging My Love
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CLLP-33-2 - Words and Music By Johnny Tillotson - Johnny Tillotson [1961] Dreamy
Eyes/Princess Princess/Much Beyond Compare//Well I'm Your Man/Cutie Pie/Without You
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CLLP-33-3 - Rockin' with the Everly Brothers - Everly Brothers [1961] Bye Bye Love/('Til)
I Kissed You/Bird Dog//Wake Up Little Susie/When Will I Be Loved/Problems
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CLLP-33-4 - Dream with the Everly Brothers - Everly Brothers [1961] Let It Be
Me/Devoted To You/Maybe Tomorrow//All I Have To Do Is Dream/I Wonder If I Care As Much/Take A
Message To Mary
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CLLP-33-5 - Never on Sunday - Chordettes [1961] Never On Sunday/Faraway
Star/Lollipop//Charlie Brown/To Know Him Is To Love Him/I Cried A Tear
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CLLP-33-6 - Eddie Hodges - Eddie Hodges [1961] I'm Gonna Knock On Your Door/Ain't
Gonna Wash For A Week/Bandit Of My Dreams//Mugmates/Made To Love/I Make Believe It's You
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CLLP-3125 - Moonlight Serenade - Archie Bleyer & Hos Orchestra [1961] Moonlight
Serenade/Twilight Time/Ruby//April In Portugal/Sunrise Serenade/The Third Man Theme
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CSBLL-1 - The First Family - Vaughn Meader [1962] But Vote!!/Economy Lunch/Press
Conference//The Experiment/After Dinner Conversations/Relatively Speaking/Motorcade
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